I
Oxbow

  • The following months unfolded like those of most college freshmen. The Oxbow lecture slipped out of sight, replaced by cute girls and parties, late nights and—yes, Mom…school too. It wasn't until my trip home for the holidays that the Oxbow would re-enter my imagination.
  • The boarding door of our Embraer 175 regional jet sealed shut with a thunk, flight attendants calling out safety instructions as the plane rolled gently away from the gate. The spooling of the engines reverberated through the plane as we gained speed, pushing toward the end of the runway. Through the threshold of my window, a familiar pooling of raindrops streamed across my view as we lifted from the ground, the tall pines flattening between land and sky.
  • A soft chime broke through the hum of flight as we moved above 10,000 ft. Below, the rolling hills and valleys of northwestern Oregon slipped silently by, ignorant of the seventy-five or so souls that overlooked them. As the plane banked slowly to the left, a small vein of water reached into the oval portal through which I peered. Its path joined others to create an expanding circulatory system, connecting finally to a central artery. Whether the river I studied was the Willamette or not, I wasn't sure, but in the hushed atmosphere afforded by the plane’s engines, that morning in the lecture hall of Intro to Geology seeped back to me. 
  • The stuttering animation once limited to the classroom screen projected itself smoothly in real time. The river’s history unfurled before me, every curve, cutoff, and oxbow visible from above—the record of years traversed, marked by drifts of sediment and isolated pools. From the plane I could access the answers that had eluded me on the banks of the Willamette that fall day—the shape of the river finally legible. 
  • But the cabin, temperature controlled to 75 degrees, filled by white noise and recycled air, had scrubbed away everything the riverbank had offered—no cold water, no stones underfoot, no smell of damp leaves that drifted listlessly from the trees. The satellite imagery tracked a single bend for decades, while I moved past at 400 miles per hour, the whole river sliding beyond my window before I could hold any one part of it.
  • Long since the plane's return to the tarmac, I've continued to ponder this question of scale—what each vantage point gives and takes away; sometimes obscuring detail in favor of the whole, or tightening the frame while cropping the margins—zooming out from the individual to the global and back in again, tracing how the single raindrop becomes the coursing river. 


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Rhode Island School of Design
2026 Master of Fine Art, Graphic Design
Thesis
©2026
Kevin Tomas
Positioned Press